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RIP Dede Allen (1923-2010)
by Max , almost 2 years ago
As a true lover of cinema, but especially being that I am an editor myself, I must bid a sad farewell to the great film editor Dede Allen, who died saturday at the age of 86.
Influenced by the radical cutting styles of The French and British New Wave Cinema, Mrs. Allen, who got her start working under director Robert Wise (who began his career as an editor himself) at Columbia Pictures, pioneered her own unique style of cutting, mainly with a technique called Audio Shifting where the dialogue or soundtrack from a previous scene would play into the scene immediately following, or vice versa, a flourish that would help quicken the pace of a film.
Such innovations as well as her oustanding cutting on such films as Odds Against Tomorrow (1959), The Hustler (1961), Bonnie and Clyde (1967) (what would that final shoot-out scene have been without her masterful sense of rhythm?), and Dog Day Afternoon (1975), just to name a mere few, helped elevate editing from just a mere assembly job to a highly respected artform.
I have always said that women make the best film editors (example: Jaws [1975] - editor, Verna Fields; Lawrence of Arabia [1962] - editor, Anne Coates; The Limey [1999] - editor, Sarah Flack; etc. etc.) and Mrs. Allen was easliy one of the best ever.
3D: For Entertainment Purposes Only?
by Greg , almost 2 years ago
Until very recently, 3D was considered little more than a novelty. Most of our experiences with blue and red paper glasses left us dizzy and in need of Aspirin. But Avatar, along with recent announcements of 3D TV channels from Discovery and ESPN, are changing that perception. Now it seems everyone is jumping on the bandwagon.
At my company, we’re gearing up for 3D as well. But as excited as I usually am about new technologies, I’m skeptical about 3D…
Entertaining Is What We Do Best
by Greg , over 2 years ago
People ask me all the time why Louisiana has become such a hotbed for film and video production. They expect I’ll respond with talk of tax incentives and exotic locations. Those things help, a lot. But the truth of the matter is creative film production in Louisiana is a natural evolution for us. Creativity, entertainment, art, music, food and culture - it’s in our blood. Whether we’re producing a work of art on a canvas, dinner plate, trumpet or on screen, we are unique and we are most definitely creative.
Ten Not-So-Best Films of 2008
by Max , almost 3 years ago
In contrast to my previous post, here are ten films from last year that were not very good…In fact, some of them downright SUCKED!
Now I didn’t populate this list with the obvious cinematic crap that was inflicted upon unsuspecting audiences last year. I didn’t need to sit through Disaster Movie, The Hottie and the Nottie, or The Love Guru to be able to tell you that you would have a better time having the veins slowly pulled out of your legs with tweezers than sitting through such cinematic abortions. The goddamn trailers were enough!
Ten Best Films of 2008
by Max , almost 3 years ago
Okay, after much contemplation and deliberation I have finally decided to list my ten favorite films of the past year. I must say however that this list is not etched in stone – like a late entry in last year’s list (the fantastic Joe Strummer documentary The Future is Unwritten), I might stumble upon a small film that eluded me. So if that happens I will certainly post an update – but for now, this is what I have come up with.
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